
By Stokley Wilson
One of the most talked about subjects in photography is sharpness. Most photographers spend a lot of time concerning themselves with image sharpness. When choosing equipment, this is probably the area of greatest concern. They purchase more expensive lenses. They buy the latest, sharpest film. Then they go out and shoot their cameras handheld.
Photographers will generally find any excuse to leave the tripod at home. It's too heavy, too bulky, or any other reason you can think of.

Few places in the United States offer more stunning photography possibilities than New England.
For the last 5 years I have been going to Maine, New Hampshire and Vermont to capture the brilliant reds, fiery oranges, and glowing yellows that paint the trees from late September thru October.

By Stokley Wilson
Digital Imaging.
Those words can create inspiration or fear. Or even both!
This latest "catch phrase" seems to be all that photographers want to talk about. But is it a replacement for film? Absolutely not. The truth is, digital imaging is an alternative to traditional imaging, not a total replacement for film.

Good information about why one picture is better than another is hard to come by. As you would expect, you have to pay a price for the knowledge by studying, then practicing what you’ve learned by taking pictures. Some instructors advocate starting out with a manual camera in order to learn the basics.

Ansel Adams brought a new dimension of perspective to black and white photography. With the 100th anniversary of his birth, it should be remembered that his generation saw the harm being done by uncontrolled harvesting of the giant redwoods, and he began to document the primitive areas of the West on film to at least preserve the memories of those places.

How many times have you gone on a field trip or a photo shoot and, after looking at your pictures, wanted to go back and shoot them all over again?
That happens frequently in the early years of most photography careers. It doesn't take long for a person to realize that if someone is really serious about photography they had better learn the basics by going to a photography school, joining a camera club, or doing both.
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