Our next competition is October 20th, Ted Dayton from Santa Clarita will be our judge. To coordinate with our workshop on Sept 22nd by Dave Wilkins on Depth of Field, our competition theme will be " Showing Depth of Field Creatively ". Please enter, put your work out their. It could make for a Happy Surprise. Thanks Helen Henry Competition Chair
Our theme is "Showing Depth of Field Creatively" this month we will use Shallow Depth Of Field, created in camera, this is where the maker uses DOF to create or to change the story presented in the picture, the judge will be giving special attention to the use of DOF to make or change that story.
Anything creative, implies to me, that it is a rendition of the artistes self creation. So, by using
shallow depth of field you can be very creative, blurring the background (and foreground) of your
scene, isolating a particular subject and protecting it from otherwise distracting detail. This is only
the beginning. I am sure by the end of the workshop everyone will have a secure grasp on how to
achieve the depth of field they are after, the creative part will come in how it is applied. This is a
pictorial class so our judge will also be using these guidelines,
" Pictorial Color images are judged both for their technical and pictorial merit. The image must be properly exposed, be in focus, and have appropriate depth of field. A Pictorial Color image should have strong composition, pleasing quality, and color impact. The content is unrestricted except for tonight our theme is "Showing Depth of Field Creatively" As in our flower competition, Black and white pictures are also allowed.
So, thanks again! Hope to see all your "Works of Art" October 20th. Our judge will be Ted Dayton from Santa Clarita. Helen Henry Competition Chair
(For those who might be saying,,, hunh?) Confused? Set your camera on Av (Aperature Priority), use your widest possible f-stop setting (the lowest number), and set your focus point on the most important part of the image. Experiment and Have fun!
Examples… 
A wide aperture or f-stop limits depth of field and can throw the background out of focus as seen in this wildflower shot photographed at f/2.8.
Using a long lens with a low aperture setting of f/4.0 made the background go soft, while keeping the lead rider in sharp focus.
Another hint… if you want to shoot subjects with blurred backgrounds, try zooming to the longest telephoto length, and select the widest possible f-stop setting (lowest number).
This part was written by Sue Craft. Thanks Sue Helen
Ted Dayton is a commercial photographer living in Santa Clarita, CA and currently the president of the Santa Clarita Valley Photographers Assoc.
Raised in Los Angeles and a graduate of Brooks Institute in Santa Barbara, CA, his career began in a catalog studio in Dallas where he lived and worked for eight years before returning to the Los Angeles area.
During the first half of the 1990s, he was the West Coast Staff Photographer
For Fairchild Publications, shooting mostly for Womens’ Wear Daily and
W Magazine where assignments were mainly within the LA fashion industry and the movie industry. Portrait credits include Elizabeth Taylor, Jeff Goldblum, Sandra Bullock, Reese Witherspoon and many others.
From 1995 until the present, Ted has been working independently for a variety of clients in and around Southern California and shoots heavily for
the stock photography side of the photographic industry.
Ted teaches classes each month at the Santa Clarita Valley Center for Photography and his work can be seen at teddaytonphotography.com.
Please enter, put your work out their. It could make for a Happy Surprise.
Thanks
Helen Henry
Competition Chair
Helen Henry
Area Membership Director, PSA West Coast Area
http://www.psa-photo.org/index.php?west-coast-area
If you love photography, you belong in PSA!
HelenHenryRD10@yahoo.com
http://helenhenry.com/blog/